From the Vimeo page of this video:
This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We’d like to expand this idea to other locations and would appreciate any suggestions for a future project.
Fotoshop is a new beauty product from Adobé (say aah-DOE-bay) that slims, gets rid of wrinkles, and can even lighten your skin color.
(via stellar)
I saw this spot air last night during Sunday Night Football (by the by, c’mon Ravens, you’re better than that). I felt compelled to rewind the TiVo to make Steff watch it from the kitchen.
My jaw dropped after I saw this video.
via John Siracusa & J.C. Hutchins.
By Michael König:
Time lapse sequences of photographs taken by the crew of expeditions 28 & 29 onboard the International Space Station from August to October, 2011, who to my knowledge shot these pictures at an altitude of around 350 km. All credit goes to them. I intend to upload a FullHD-version presently.
HD, refurbished, smoothed, retimed, de-noised, de-flickered, cut, etc. All in all I tried to keep the looks of the material as original as possible, avoided adjusting the colors and the like, since in my opinion the original footage itself already has an almost surreal and aesthetically visual nature.
Visit the video’s Vimeo page for a music, image, and location colophon.
I’m a sucker for time lapse video of any sort, especially when it is beautifully done, such as this.
Drew Geraci says this about his video:
This piece is all about DC at dusk and night — concentrating on the monuments and historial buildings on the mall. During the making of this time-lapse, I was hassled/stopped 27 times by DC police and received 5 parking tickets. That’s pretty much how it goes in DC.
With help from my buddy Drew Breese, Russ Scalf, and a few unnamed sources we were able to complete this production… even if it was slightly behind schedule. It took nearly 3 months to film the sunsets — since DC weather isn’t always the best.
For the production, I used a combination of standard frames, tone-mapping, and traditional HDR (on a few shots). It’s quite the mixture.
I hope you enjoy this piece and DC just as much as I do.
The Vimeo video page lists his colophon of hardware, software and music.. Drew’s website is TheVoder.com.
Okay, who’s cutting onions?