Drew Geraci has produced yet another excellent time-lapse video, this time of midtown New York City. Drew is a well known time-lapse videographer that I'm a big fan of. You've probably seen his work before and not even realized it, especially if you watch the Netflix original show, House of Cards, which he did the intro credit sequence for. Drew has also previously been featured on my site for his Washington DC time-lapse and the time-lapse he did for the Washington Times of President Obama's second inauguration.
Notable local time-lapse photographer, Drew Geraci has produced a wonderful time-lapse video of President Obama's Second Inauguration. Spectacular.
From the Vimeo page of this video:
This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We'd like to expand this idea to other locations and would appreciate any suggestions for a future project.
By Michael König:
Time lapse sequences of photographs taken by the crew of expeditions 28 & 29 onboard the International Space Station from August to October, 2011, who to my knowledge shot these pictures at an altitude of around 350 km. All credit goes to them. I intend to upload a FullHD-version presently. HD, refurbished, smoothed, retimed, de-noised, de-flickered, cut, etc. All in all I tried to keep the looks of the material as original as possible, avoided adjusting the colors and the like, since in my opinion the original footage itself already has an almost surreal and aesthetically visual nature. Visit the video's Vimeo page for a music, image, and location colophon.
I'm a sucker for time lapse video of any sort, especially when it is beautifully done, such as this. Drew Geraci says this about his video:
This piece is all about DC at dusk and night -- concentrating on the monuments and historial buildings on the mall. During the making of this time-lapse, I was hassled/stopped 27 times by DC police and received 5 parking tickets. That's pretty much how it goes in DC. With help from my buddy Drew Breese, Russ Scalf, and a few unnamed sources we were able to complete this production... even if it was slightly behind schedule. It took nearly 3 months to film the sunsets -- since DC weather isn't always the best. For the production, I used a combination of standard frames, tone-mapping, and traditional HDR (on a few shots). It's quite the mixture. I hope you enjoy this piece and DC just as much as I do. The Vimeo video page lists his colophon of hardware, software and music.. Drew's website is TheVoder.com.
Here’s some more creative space photography from Ron Garan, who’s currently on board the International Space Station. Garan and several other astronauts have teamed up for the pFragile Oasis project](http://www.fragileoasis.org/), to share the perspective of Earth that they see from orbit. This time-lapse sequence is apparently a sneak peek at a longer version. The Peter Gabriel song, if you’re racking your brain, was used in the Pixar film Wall-E.
A ten-minute video shows clouds forming and dissipating at timelapse speed. Quite relaxing. Best viewed in fullscreen HD.
Less than a month ago I linked to a stunning video produced by Terje Sørgjerd called "The Auora". A little over a week ago, he posted a second video filmed on El Teide in Spain. El Teide is Spain's highest mountain and, as Terje writes, "one of the best places in the world of photograph the stars and is also the location of the Teide Observatories, considered one of the world's best observatories". Terje goes on to write:
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies. A large sandstorm hit the Sahara Desert on the 9th April and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes. Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.