Midtown

Drew Geraci has produced yet another excellent time-lapse video, this time of midtown New York City. Drew is a well known time-lapse videographer that I'm a big fan of. You've probably seen his work before and not even realized it, especially if you watch the Netflix original show, House of Cards, which he did the intro credit sequence for. Drew has also previously been featured on my site for his Washington DC time-lapse and the time-lapse he did for the Washington Times of President Obama's second inauguration.

www.District7Media.net @TheVoder @District7M Midtown New York City is the place to be. The lights, cars, traffic, architecture and people make the city come to life as a living, breathing, organism that never sleeps. Take a trip with this time-lapse production into the city and see the sights and sounds that create this magnificent destination. For us, this time-lapse production was produced using more than 50,000 still frames, shot over the course of 6 months traveling back and forth from Washington DC to New York City while we shot for clients. Our main goal was to capture the central part of the city in both visuals and audio. The sound effects used in this production were taken from the various locations we shot and were added in to give you the feeling of actually being there. There were multiple times during this shoot that we were chased off, either by cops or the cold. The subway shots were particularly difficult to get, especially in the wake of the Boston bombings. We were led out and in some cases followed by police officers or MTA officials who seemed intent on getting us for using tripods. The music is performed by the talented Danny McCarthy (Fracture) (Music has been licensed through Killertracks.com) ***MIDTOWN Water UFO*** We captured something we can't explain. If you know what these lights are, let us know! https://vimeo.com/72343954 ***Licensing note*** The majority of this footage is own exclusively by 3rd party clients and we can not license out certain shots. If you're interested in licensing non-exclusive material please contact Andrew at ageraci@district7media.net or call us at 513-259-9231 Follow us here; www.District7media.net www.facebook.com/District7Media Our gear consisted of the following; (4) Canon 5D Mark III's (2) Canon 16-35mm f/2.8 II Canon 24-105mm f/4 Canon 70-200mm f/2.8 II (2) Dynamic Perception Stage Zero's with upgrade stepping motors www.dynamicperception.com Emotimo TB3 - Orange and Black www.emotimo.com/ This production would not be possible without the help, assistance, guidance and inspiration of some of the most talented people out there; Arthur Breese, Jimmy Shea, Gregg Lehrman, Jay Burlage, CA Time-lapse Crew (Joe Capra, Colin Rich, Andrew Walker, Matt Givot, Chris Pritchard, Michael Shainblum, Eric Hinds, Ben Canales, Sheldon Neil) Richard Bently, Patryk Kizny and the rest of the time-lapse community. MIDTOWN - Cinematography, production and motion graphics by Andrew "Drew" Geraci ©2013 District 7 Media All Rights Reserved. No images, video or parts of this production may be used without authorization. This production is for portfolio use only.

Time Lapse View from Space, ISS Fly Over

By Michael König:

Time lapse sequences of photographs taken by the crew of expeditions 28 & 29 onboard the International Space Station from August to October, 2011, who to my knowledge shot these pictures at an altitude of around 350 km. All credit goes to them. I intend to upload a FullHD-version presently. HD, refurbished, smoothed, retimed, de-noised, de-flickered, cut, etc. All in all I tried to keep the looks of the material as original as possible, avoided adjusting the colors and the like, since in my opinion the original footage itself already has an almost surreal and aesthetically visual nature. Visit the video's Vimeo page for a music, image, and location colophon.

District Nights

I'm a sucker for time lapse video of any sort, especially when it is beautifully done, such as this. Drew Geraci says this about his video:

This piece is all about DC at dusk and night -- concentrating on the monuments and historial buildings on the mall. During the making of this time-lapse, I was hassled/stopped 27 times by DC police and received 5 parking tickets. That's pretty much how it goes in DC. With help from my buddy Drew Breese, Russ Scalf, and a few unnamed sources we were able to complete this production... even if it was slightly behind schedule. It took nearly 3 months to film the sunsets -- since DC weather isn't always the best. For the production, I used a combination of standard frames, tone-mapping, and traditional HDR (on a few shots). It's quite the mixture. I hope you enjoy this piece and DC just as much as I do. The Vimeo video page lists his colophon of hardware, software and music.. Drew's website is TheVoder.com.

Time Lapse From Orbit

Here’s some more creative space photography from Ron Garan, who’s currently on board the International Space Station. Garan and several other astronauts have teamed up for the pFragile Oasis project](http://www.fragileoasis.org/), to share the perspective of Earth that they see from orbit. This time-lapse sequence is apparently a sneak peek at a longer version. The Peter Gabriel song, if you’re racking your brain, was used in the Pixar film Wall-E.

Time-Lapse: The Mountain

Less than a month ago I linked to a stunning video produced by Terje Sørgjerd called "The Auora". A little over a week ago, he posted a second video filmed on El Teide in Spain. El Teide is Spain's highest mountain and, as Terje writes, "one of the best places in the world of photograph the stars and is also the location of the Teide Observatories, considered one of the world's best observatories". Terje goes on to write:

The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies. A large sandstorm hit the Sahara Desert on the 9th April and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes. Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.